
I’m a musician specializing in early music and Arabic music. Since 2000, I’ve also been working professionally as a sound engineer and in post-production for record labels, theaters, and performing arts organizations.
I wouldn’t call myself an audiophile—quite the opposite—but I’ve built strong skills in recording and audio production through years of hands-on experience. I learned by working alongside talented engineers during sessions where I was performing as a musician myself. That experience made me realize how important it is for sound engineers working with acoustic music—from early to classical repertoire—to truly understand the music they’re recording. That’s what inspired me to start helping other musicians.
Over the years, I’ve produced more than 100 recordings, several of which have received international recognition, including for their audio quality. I’ve also handled dozens of live recordings for theaters and festivals. My mobile studio is constantly updated to deliver high-quality results.
My philosophy is simple: work calmly, listen carefully, and support the performers. I keep my rates fair and accessible for artists and record labels, thanks to smart equipment choices that avoid unnecessary costs. I work with my own gear, but I can always expand my setup to meet specific production needs.
I can handle projects ranging from soloists to full orchestras, delivering high-definition audio formats suitable for SACD and DVD-A, as well as standard Audio CD.
If you’d like to collaborate or request a personalized quote, feel free to get in touch.
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